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canon c500 mark ii vs arri

canon c500 mark ii vs arri

This enables you to record four separate audio tracks. Well, that isn’t possible, because that is where the optional module has to go. Unlike the EOS C700/C700 FF, EOS C300 Mark II, and EOS C200, the EOS C500 Mark II doesn’t record to Cfast 2.0 cards. If I had to pick just one winner for myself, I’d pick the Canon C300 Mark III. Testing and comparing the autofocus systems on the Sony FX9 and the Canon C500 Mark II for usability, reliability, and their limitations. The module also adds additional SDI ports and power outputs. On the other hand, the full frame sensor of the Canon C500 Mark II does offer two tremendous advantages due to the larger sensor: For a lot of professionals, in this price point, usability is as critical as image quality. Yes. A complete visual representation + video of the filmmaking process from beginning to end. The EOS C500 Mark II weighs approx. I personally think this is Canon’s most significant announcement since the original C300. Via body, grip, wireless control or wired remote. In other words, both are expected to produce stellar image quality that 99% of clients will approve of (the remaining 1% can pay extra for that Arri rental). The C200 is currently $6,499. BNC jack (input only/also serves as SYNC OUT connector), BNC jack (output only/also serves as GENLOCK connector), Yes, with optiional EU-V2. A site for working professionals in the TV & Film industry. While the file sizes and recording times may seem overwhelming to someone who isn’t used to shooting RAW, they are actually pretty small compared to most other digital cinema camera RAW formats. The ProRes options and now Z Cam Raw makes life in post so much easier. I´ve tried the C200 with Sigma 18-35 f1.8 and the 50-100 f1.8 a few times and I loved the image I got out of this combo, but the c200 raw is a bit too noisy for my liking, so the c300 mark III fixes that with DGO and adds the electronic image stabilization on top of that. ^Canon RAW is actually Canon RAW Lite, written internally, at about 1/3 to 1/5th data rates. Here’s the question: Which camera would have the better autofocus? It is pretty clear, according to Canon’s own estimation, the Canon C300 Mark III is clearly better in terms of dynamic range. Despite being almost 7 years old, the Sony F5 and F55 are still very popular. The C500 Mark II has a user-changeable lockable Canon EF mount that can be changed over to PL or standard EF. When recording, RAW files are saved as an .RMF frame sequence in an uncompressed format with no baked-in settings. This is the first time a digital cinema camera has utilized this technology. and a height of 7 inches displaying 4K capture, The Canon C500!!!!. You may be asking why didn’t Canon just go with ProRes RAW or Blackmagic RAW. At 3.9 lb it is only marginally heavier than the EOS C200 (3.2 lb). It’s more than that. Shooting with Electronic IS is possible even when a lens that does not support data transmission is attached by simply manually inputting the focal length. V-mount plate with P-tap output (only V2), Lens control for certain supported lenses (only V2), About $5,000-$7,500 savings in investment, Lighter setup because you don’t need full frame lenses, Putting together a camera package in a modular system. Therefore, for the purposes of this article, let’s assume they are both good enough for practical situations. 8:09. With an image circle of 43.1mm, the C500 Mark II it is very similar to the Sony VENICE (43.14mm) and slightly smaller than the ARRI Alexa LF’s 44.71mm Open Gate. I wish they'd priced the C500 II a bit cheaper. Can the Canon C500 Mark II really Compete with RED & ARRI Cinema Cameras_ carlosq00. Those extra benefits that didn’t contribute directly to income in the low budget space take on importance here. So for the purposes of this article I’ll assume they are equally good enough for all practical purposes. The Canon EOS C500 Mark II will retail for $15,999 USD and it will be available to purchase in December. I asked Canon, How does the EOS C500 Mark II differentiate from the EOS C700 FF? With the modules attached you do have to remove the rear viewfinder, so that will force you to use the LCD touchscreen, or an external EVF or monitor. There is a reason that the EOS C300 Mark II and Panasonic Varicam LT had their prices pushed down below $10K and that’s because they simply just weren’t selling where they were originally positioned. When a lens that supports data transmission is attached, focal length data is automatically received through the digital contacts for shooting with optimized Electronic IS. As Steve Jobs famously once said, “If you don’t cannibalize yourself, someone else will.” With companies such as Blackmagic, Z CAM, and Kinefinity disrupting the market, the big manufacturers need to start cannibalizing themselves if they want to stay relevant. “Form factor has been key to the success of the Cinema EOS line since the original C300. Sony dominates the world sensor market and they can comfortably make profits by selling their sensors to competitors. Off, Low, Middle, High / Hue, Chroma, Area, Luminance. There are no ProRes recording options like the C700. By using the exact same body and same accessories as the C500 Mark II Canon would have significantly saved on development and manufacturing costs. The data rates are great, but you get that extra 6K RAW for higher-end productions. When the camera was shooting quad full-HD (3840 x 2160), 2K (2048 x 1080) or full HD (1920 x 1080) the output was downsampled rather than cropping the image. If you drop the resolution down to 2K when in the Super 35mm mode you can record up to 168fps in 12-bit Raw. You can always buy cheaper batteries, but the same applies to both cameras. The EOS C500 Mark II is the first Canon Cinema EOS camera to feature built-in five-axis electronic IS that works with almost any lens including anamorphic. 18.69 megapixels (5952 x 3140): 5952 x 3140 or 4096 x 2160 or 2048 x 1080 selected resolution Approx. The camera is equipped with a robust built-in electronically controlled ND filter system, which supports 2/4/6 and an extended 8/10 stops, making it possible to create an image with a shallow depth of field, even in the daytime. It also does anamorphic internally. Matthew is available to hire as a DP in Japan or for work anywhere else in the world. If you are working in broadcast there is very little need for full-frame or resolutions above 4K. CFexpress utilizes the same physical form factor as XQD. Matthew has won 41 ACS Awards, including four prestigious Golden Tripods. Log workflows provide the user with higher dynamic range, more highlight and shadow retention, and more flexibility in … As for this moment, the brand new C300 Mark III is not on the list. Matthew Allard is a multi-award-winning, ACS accredited freelance Director of Photography with 30 years' experience working in more than 50 countries around the world. The only cameras that currently sits around the same price as the EOS C500 Mark II are the almost 7 years old Sony F5 ($16,490 USD), and the RED DRAGON-X 5K S35 Sensor ($19,950 USD). The best online film school for serious filmmakers. The addition of Canon’s Cinema RAW Lite to the EOS C500 Mark II is interesting. B4 mount lens via adapter accessory (EF or PL), Full Frame: 5952 X 3140/4096 X 2160/2048 X 1080: x1.00 3840 X2160/1920 X 1080: x1.056 Super 35MM (Crop): 4096 X 2160/2048 X 1080: x1.460 3840 X 2160/1920 X 1080: x1.534 Super 16mm (Crop): 4096 X 2160/2048 X 1080: x2.920 3840 X 2160/1920 X1080: x3.069, Yes, User changeable to EF with Cinema Mount or PL, Up to 10 stops via built in ND filter system (in extended mode), EF Mount: Via lens, wireless control or wired remote (dependent on lens used) PL Mount: Only Cine Servo lenses. The camera features the exact same sensor that is found in the EOS C700 FF. I asked Canon, Where does this camera fit in the Cinema EOS lineup and who is it being aimed at? High frame rate recording is supported up to 168 fps using the 10-bit 422 flavor combined with the 2K centre crop. In post-production, Canon Log is designed to reproduce the entire tonal range that the CMOS image sensor is capable of. This means you can desqueeze the image internally instead of having to use an external monitor. The new model on the C500 Mark II is called the LM-V2 4.3″ LCD Monitor. In 2K mode, 10-bit 422, 10-bit 422 HQ, and 12-bit 4444 can be used. In terms of image performance, it closely mirrors the features of, and is designed to be complementary to the C700 FF. A rod clamp that can be mounted onto the camera/handle, allowing the operator to use a 15mm rod for additional rigging purposes. What is dual pixel AF? In proportion you might be spending 50-60% over what you would be spending with the C300 Mark III. If the subject is out of focus the box will turn grey and the arrows will indicate which way to adjust the lens to regain focus. The original C500 was our first high-end cinema camera aimed for Hollywood, and contained features that were considered ahead of its time. Should you opt for a locking mount? In the last few years, you have been able to pick up the camera second hand for under $3,000 USD. The resale value of that camera will now plummet. Last but not least, is the C500 Mark II. The first module is not a recorder, it is essentially an audio and power box. Canon has announced the EOS C500 Mark II. The standard EF mount is non-locking. The RCV-100 remote control unit, useable via LANC or RS422 control. Via MON.1/2, VIDEO or HDMI Terminals (Not available from SDI Out 1 -4) Line Display/Line and Spot/Line Select/Field Display/RGB Display/YPrPb. Canon calls this the EU-V2 (Expansion Unit) and it is an optional accessory. That’s a $600 dollar value right there. #CinemaEOS https://t.co/pLyhXXLn2T pic.twitter.com/Z8k50zAPQl. According to Canon, it is similar to the system used on the EOS R but more advanced. With an image circle of 43.1mm, the C500 Mark II it is very similar to the Sony VENICE (43.14mm) and slightly smaller than the ARRI Alexa LF’s 44.71mm Open Gate. Still, this camera is a real bargain for a full-frame sensor cinema camera with Arri like color. All modes take effect when the AF/MF switch of the EF lens is at the AF setting. Ye with optinal Expansion Unit EU-V1 and EU-V2. Does the extra $5,000 for the C500 Mark II translate into real-world advantages for professionals? -9 to +9 (Daylight and Tungsten only), Regen, RecRun, Free Run, External, Hold (Drop frame available for some frame rates). The camera can shoot up to 60p, 5.9K, and 4K (2K recording at … The LV-M1 – LCD Touch monitor from the EOS C200 will work. It is also compatible with anamorphic lenses. In saying that, Canon has shown me that they are willing to cannibalize more expensive offerings to win back sales. Amazingly, this is not mentioned in the Canon specs. OLED Electronic Viewfinder, EVF-V50 or EVF-V70, XLR 3-pin connector x2, 3.5 mm stereo mini jack (input only) Input 1 and 2 on camera body. MON. You can use anamorphic lenses that take advantage of the true anamorphic frame. Let’s take a look! The EOS C500 Mark II’s sensor is identical to that of the EOS C700 FF, except it uses new Digic DV 7 processors, instead of the Digic 5 that are found on the C700 FF. Like the C700FF, the image is still recorded squeezed and the final de-squeeze happens in post. PART 1. Then pick the Canon C500 Mark II. The Canon C300 Mark III cannot do true anamorphic due to the smaller sensor height. The EF mount has been a staple of the Cinema EOS ecosystem, but you have to wonder why they didn’t decide to go with the newer RF mount. The EOS C500 Mark II uses an oversampling process from the 5.9K image capture to produce 4K (DCI or UHD). It’s a full frame camera with RAW workflow, both of which are in demand on high-end productions.”. Both the Canon C300 Mark III and Canon C500 Mark II were launched relatively close to each other. BT.709 (Wide DR / BT.709 Gamut) LOG (Canon Log 2 / Cinema Gamut) HDR-PQ (HDR-PQ / BT.2020 Gamut) HDR-HLG (HDR-HLG / BT.2020 Gamut) USER5 to USER20 (Wide DR / BT.709 Gamut) * From BT.709, HDR-HLG is protected. The Remote Controller RC-V100 provides extensive wired remote functionality. You only output 4K 60 fps via 12G-SDI. Colour selectable, yellow, blue, green, red, black, gray or white. Even though the EOS C500 Mark II will still probably be met with a mixed reaction I think Canon can finally say they are back in the game. I think the future of both the EOS C300 Mark II and EOS C700 series is very uncertain after this release. Essentially this is very similar to what ARRI does with the ALEXA. For the better, in my opinion. Phase, Gain and RGB adjustment, in tandem with Gamma selection, AWB, USER setting 01(setting range: 2000K to 15000K/ -20CC to +20CC), daylight, tungsten, settings (A/B), Area selection / area revision of two areas, (1) WPS [Wi-Fi Protected Setup] (push-button system, PIN code system) (2) Manual setup (3) Search for access points Open system, WPA-PSK, WPA2-PSK, WEP-64, WEP-128, TKIP, AES, Auto /manual, Latitude/Longitude/Elevation, Coordinated Universal Time (UTC), Daylight (5400K), Tungsten (3200K), Kelvin (2000K-15000K, 100K intervals), Set A, Set B, YES. The EF mount comes standard, the PL mount is $1,600 USD. Best Cine Lenses for the Canon C300 Mark III, Best Cine Prime Lenses for the Canon C500 Mark II, You can still use Super35mm lenses in cropped more for 4K. “Aesthetically, the C500mkII differs wildly from the C700 and is more compact and modular. The 50cm UN-5 cable is included with the camera whilst the 100cm UN-10 is an optional extra. Original batteries only, from B&H. To further fine-tune AF performance, the camera has the ability to set the AF tracking speed and response. On the other hand, if you’re comparing apples to apples, with equivalent Super35mm frames, you can get similar IS with the C500 Mark II. Lighting an impossible street crowd scene with just two small LED lights. The camera could also shoot 2K in 12-bit RGB 4:4:4 up to 60 fps. The extensive Pro Cine Set with BP-8 for Canon C300 Mk II from ARRI provides both lightweight, and tripod plate-based support for your Canon EOS C300 Mk II, C300, or C500 camera. This needs to be tested with the same lenses under similar situations. Both versions can be changed easily to the front and the back by sliding and exchanging one against the other without the need to detach any accessories from the camera. Now there is a reason why they have had to do this. The EOS C500, EOS C300 Mark II, EOS C700 & EOS C700 FF were all met with mixed reactions, and all models failed to gain any real traction in the market. This means you don’t have to go down to 2K or HD just to get high frame rates, and you can take advantage of all the possibilities of 4K. Canon C500 Mark II 6K RAW Dynamic Range vs RED 8K Helium. This balance shows itself in the all new modular design of this camera. The original EOS C500 shot uncompressed 4K RAW (4096 x 2160-pixel) 24,25,30,50 and 60fps video to an external recorder in 10-bit 4:4:4 using 3G HD/SDI connections. You will also have access to good customer service and service centres that can help you out. He is the Editor of Newsshooter.com and has been writing on the site since 2010. From my point of view, the EOS C500 Mark II is going to appeal to those shooters who don’t want to spend money on a Sony VENICE, ARRI Alexa LF, Mini LF, or a RED Monstro, but want a camera that is better than an EOS C300 Mark II, Sony FS7 etc. As they work together you don’t have to choose one or the other. Yesterday, Canon unveiled another cinema camera that goes between its great C300 line and the latest C500 Mark II flagship. EF locking (CM-V1) 2. I asked Canon why they decided to come up with the EU-V2 module, and they told me: “We recognize that connectivity options are key for many users, but Canon realizes that not all features are necessary for all users. Face detection AF is another autofocus mode that can track a person’s face in the frame and maintain focus on them. RougeVertBleu. This is the Canon C200’s 4K raw and UHD XF-AVC modes against the C500 Mark II’s 6K full-frame raw and 4K full-frame XF-AVC settings. Image stabilization for smaller sensors will be better than larger sensors. This is true of photo lenses and cine lenses, broadly. DAF can survey the scene and recognizes not only whether the subject is in focus or not, but in which direction (near or far), and by how much. I know a lot of people have been critical of Canon of late for releasing cameras with underwhelming specifications and features. In addition to full-frame lenses, it can be used with conventional Super 35mm lenses to originate 4K / UHD standardized production formats and Super 16mm lenses (with an adapter) to originate 2K / HD production formats in crop modes. The Canon C500 Mk II may look like a C300 II but it has been completely redesigned and we think that in this configuration it becomes a fully-featured 4K camcorder with Cinema RAW Light capture and is versatile enough to be used as a Documentary, Gimbal or full Drama camera.. Deciding between these 2 cameras was pretty easy for me. It could also do 120fps in 2K and 1080P resolutions. The Canon C500 Mk II boasts a beautiful full-frame sensor (the same as the C700) with Canon’s rock-solid Dual Pixel Auto Focus (DPAF). While both of these cameras are quite a bit cheaper, with Canon you know what you are getting. Canon doesn’t make lenses for both formats you can compare directly. If you were a independent filmaker wanting to make films for festivals iTunes Netflix and occasional big screen as well as corporate videos and commercials which would you pick between these two ? The EOS C700 FF also can record in ProRes codecs that enable shooters who require a quick turnaround to go direct-to-edit on many NLEs without any transcoding. 3:29. This RAW signal was able to be recorded by the Convergent Design Odyssey 7Q and 7Q+, and more recently, some of the Atomos devices. The GP-E2 features an electronic compass and GPS signal receiver to record time, longitude, latitude and elevation directly into the metadata of every shot. Canon’s own EOS C300 Mark II ($8,999 USD) and the Varicam LT ($9,995 USD) are now both available for under $10K. MATT’S PICK: Canon C500 Mark II. This allows it to feature a 5.9K output in full frame, and crop (window) the sensor for Super 35 and Super 16 frame sizes while maintaining a high resolution. This unit adds Genlock/SYNC, REMOTE B (RS-422) and Ethernet support, attaching to the camera’s extension terminal. The EOS C700 FF can record 5.9K up to 60p (10-bit Raw) and up to 30p (12-bit Raw) in the full-frame mode, however, you need to use a Codex recorder to do this. With C-Log 3 you get 14 stops (still great!). Log workflows provide the user with higher dynamic range, more highlight and shadow retention, and more flexibility in grading. I don´t need or want 6K, more DR, more managable file sizes in raw, 120p, same body, autofocus at all frame rates and brilliant 10-bit 4:2:2 codec options. 880 KB at 1920×1080. In the last year or so we have seen cameras that were priced around the $15K range all fall down below $10K. Don’t forget to take that into account. If yes, then the Canon C300 Mark III is the right investment for you. When combined with Arri’s Rec. The Plate for C300 MKIII/ C500 MkII can be used either shoulder mounted compatible with a VCT-14 style plate such as the QRP-1 or by using the Bridge Plate Adapter BPA-5 to mount the cine-style BP-8, BP-9 or BPS-2. What you also have to take into account is that if you use the XLR inputs on the module, whatever you plug in is going to be sticking straight out (unless you have angled connectors). When you are recording in RAW to the CF Express cards you can also record proxy files to an SD card. Extension Unit 1 (EVU-1) $499 USD, offers multi-camera support with a Genlock interface, while Extension Unit 2 adds further interfaces, such as two more XLR inputs, ideal for broadcast applications and a V-Lock battery mount for extended recording times. The C700 FF is designed for a full RAW workflow, while the companion C500 Mark II has Cinema RAW Light internal recording.”. It starts off looking like previous models, but then users have the ability to customize it to suit their needs, which has never before been available in a Canon camera. It is mandatory to procure user consent prior to running these cookies on your website. The Canon C500 Mark IIis definitely more expensive on paper. At the same time, Canon also announced the 1D C. I asked Canon, It has been almost 7 and a half years since the launch of the original EOS C500, why did Canon feel now was the right time to release the Mark II? (*) Displayed when ISO speed expansion is OFF. The Canon EOS C300 Mark III and the Canon EOS C500 Mark II are Cinema EOS stablemates offering the latest technology to give stunning visual results.

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